Here’s a slideshow from my recent production of Mama Won’t Fly!
Here’s a slideshow from my recent production of Mama Won’t Fly!
Happy New Year! I know, I know. It’s been a while since I’ve written. A long while. Life kinda got crazy. So where should I start? Let’s start at the very beginning and recap 2013.
This time last year I was studying British theatre in London and it was fabulous! (Wow! I can’t believe that was a whole year ago!) In the spring I interned at Parenting.com, acted and costume designed for some school plays, and enjoyed my last semester of college. In May I graduated from The College of New Jersey and got my B.A. in Journalism and Professional Writing. (Yay!) In the summer I worked at a theatre camp and directed Beauty and the Beast, Jr. The kiddies were ah-dorable. Towards the end of the summer I was cast in a local production of Avenue Q. I learned how to puppet….then I kinda disappeared.
Oops. Sorry about that. Let me explain what happened.
Well, while I was in rehearsals for Avenue Q, I got my first real big-girl job! In New York City! I started working as a Community Manager at an advertising agency doing social media for BlackBerry. It’s all been very exciting… and completely exhausting. See, I live in New Jersey. South Jersey, to be exact. I’m about 10 minutes outside of Philadelphia. So New York City is a bit of a hike from my neck of the woods. For the past few months my life has been a bit of a whirlwind.
Here’s a day in the life:
5:37 a.m. – cue alarm clock and subsequent grumbling from yours truly
5:52 a.m. – finally get out of bed, realize my hair will look bad today because I waited so long to get up
6:20 a.m. – leave house in a mad rush, drive to Hamilton train station way too fast
7:01 a.m. – arrive at Hamiltion station, park and RUN to train
7:04 a.m. – JUST barely catch express train to NYC, attempt to nap on train
8:08 a.m. – arrive at Penn Station New York, take brisk walk to office, try not to make eye-contact with homeless people
8:32 a.m. – get to office feeling cold and out of breath, it’s time to start a full day of work!
5:33 p.m. – finally leave the office, walk like a zombie to Penn Station
5:54 p.m. – arrive at Penn Station, mad dash to appropriate track
6:03 p.m. – express train leaves Penn Station, practice lines on train, resist urge to punch annoying passengers
7:04 p.m. – arrive at Hamilton station, walk up what feels like a million flights of stairs to get to car, finally time to go… to rehearsal
8:00 p.m. – get to rehearsal, be fabulous on stage (obviously)
11:34 p.m. – get in car to leave rehearsal, sing in car to keep self awake while on the road
12:07 a.m. – finally home! Time to pass out for a few hours so I can wake up and do it all over again tomorrow
This is an ideal day. Some days I miss the express train and need to wait around for a slower, local train. This can add 30+ minutes to my train ride and it’s the worst.
But I digress…Back in November, Avenue Q ended after a lovely 4-week run. I would finally have time to myself! (Or so I thought.) I auditioned for another play the day after Avenue Q closed and was cast on the spot. While this was kinda awesome, it also gave me zero time to relax after Avenue Q. I literally went from a performance, to an audition, to a rehearsal in a matter of 24 hours and I’ve been in rehearsals ever since. This new play, “Mama Won’t Fly” opens in 3 weeks and I am so excited for opening night! It’s a very funny play and I have a great part in it. I’m playing Hayley, a high-energy, accident-prone, bride-to-be. It’s such a fun part and I’m so happy.
But this lifestyle isn’t sustainable. During the week I feel like I’m living in a constant state of commute. On the weekends all I want to do is sleep. Something’s gotta give. So once the play is over I’M MOVING TO NEW YORK!
I don’t know exactly where I’ll be moving, but I’ve been looking for apartments in Queens and Brooklyn. My goal is to be all moved into my new apartment by March 1! Once the play is over, I will focus all my energy into finding an apartment and making this exciting move! For a Jersey girl (born and raised) this is a HUGE step for me. Heck, I even went to The College of New Jersey. I think it’s time to give one of the other 49 states a chance.
I’ll hopefully be able to give you a more detailed update on my new play and this exciting move to NYC sometime this weekend, but considering my track record, I won’t make any promises.
Hope everyone had a lovely 2013 and I wish you every bit of happiness in 2014!
Hello lovely readers!
For the past week I’ve been learning the music for my latest show, Avenue Q. I haven’t performed in a musical in two years, so I’m thrilled to be singing again. The music rehearsals have been a blast so far, but the music is slightly more challenging than I would have expected. Since Avenue Q is a silly show filled with catchy songs, I assumed the music would be a breeze. (I mean, my character is a puppet for goodness sake!) But despite the ridiculous laugh-out-loud funny lyrics, I found that I’ll really need to work hard to make sure I sing everything perfectly.
Here’s a particularly funny section of music from the song There Is Life Outside Your Apartment:
“There is life outside your apartment!
Oh, you never know what’s around the bend
You could step in dog $#!* or make a friend!”
You’d never know it just from reading the lyrics, but we’re actually singing in four-part harmony there. I’m really enjoying learning the music for this show because the songs are so catchy, plus I get to sing in a puppet voice which is really fun. I’ve been drinking a TON of tea with honey this past week to try and preserve my voice. Singing in a puppet voice can really take a toll on your vocal cords.
This week we were given our “rehearsal puppets” to start practicing with. The rehearsal puppets have the same feel and weight as puppets we will use for the performances, but they are for rehearsal purposes only and do not leave the theatre.
I loved practicing with my rehearsal puppet, but my hand was very sore by the end of practice. I definitely need to build up my strength before opening night!
Do you have any questions about the rehearsal process for a musical or about working with puppets? I’d be happy to answer any questions you may have! Feel free to leave a comment below.
After a magical, yet exhausting, summer directing a children’s production of Beauty and the Beast, Jr., I decided to go in a completely different direction for my next show.
See if you can guess the next show I’ll be in.
Here are a few hints:
If you’re still stumped, I’ll come right out with it… Drum Roll Please
So, without further ado, I’m pleased to announce that I’ll be playing Bad Ideas Bear in the upcoming Haddonfield Plays and Players production of
This musical is essentially a raunchy Sesame Street for adults. You’ll definitely want to leave the kids at home for this one; it’s R-rated for indecent language and puppet nudity (I’m not kidding). Unlike Beauty and the Beast, I’m one of the youngest in this production. Our first rehearsal was last night and by the end of the evening my sides were sore from laughing so much.
For the past few weeks I’ve been attending Puppet Boot Camp to prepare for this show. Not only did I build my own puppet out of felt, foam and hot glue, but also I learned how to talk, walk, sing and act with a puppet! I have a new-found appreciation for puppeteers and the craft as a whole. Our first music rehearsal is tomorrow and I cannot wait to start learning the songs. This show is going to be a blast!
Even though Beauty and the Beast, Jr. closed about a month ago, that didn’t stop me from having a nightmare about Belle missing her entrance the other night. I can’t seem to get this show out of my head!
The week of the performances I pretty much went insane from the stress. Below is photo documentation of my downward spiral into insanity during show week.
Usually, directors get to sit back and enjoy their work during show week, but that is not that case when you’re directing a children’s production. Because of the neediness of pint-sized actors, I was needed backstage during all the shows so I could move set pieces and help Belle with her many costume and wig changes.
At times it felt like I was like trying to tame a herd of wild elephants. Those kids LOVE to stand in the wings (in perfect view of the audience, mind you) to watch the show and discuss the on-stage action with their friends. One of the first rules of theatre is to stay quiet backstage, but the kids just couldn’t stop talking.
In addition to playing “angry librarian” by shushing the kids during the performances, I also sang harmonies from backstage to help out during group numbers. By the end of each performance I was exhausted!
Each show had its own set of hiccups, but that doesn’t mean that the kiddies didn’t do a great job! In live theatre, especially in children’s theatre, there is no such thing as perfection. Lines were dropped, entrances were missed and the occasional costume piece fell off. (I’ll never forget the horror of watching Beast’s mask fly off his face mid fight scene!) Luckily, the kids are adorable, so they can pretty much get away with any mishap.
Overall, I’m very proud of the kids and what we were able to accomplish with the show. Beauty and the Beast is, by nature, a VERY technically challenging show, but the kids rose to the challenge. I would love to be a part of this show again someday, as it is still one of my favorites, but I’d definitely prefer to be a part of a production with adults!
Directing Beauty and the Beast was a great experience and the kids filled my summer with magic! Here’s to another great show!
In case you missed my last post, this summer I’m co-directing a production of Beauty and the Beast, Jr. starring some adorable kiddies. The past two weeks have been going fairly smoothly. My co-director and I are just about finished blocking all the scenes. For those of you who aren’t familiar with theatre lingo, blocking is any movement that a director assigns to an actor while on stage. This is different from choreography which are the dance movements given to an actor during a musical number. One challenge that I have come across during this process is getting the kids to be quiet while I am trying to teach the blocking or rehearse lines with the actors. When the kids aren’t working on something specific they tend to get antsy. I guess this shouldn’t be a surprise — they are kids after all!
Working with kids is very different from working with college students. Children tend to upstage each other (stand so far upstage that they force the other actor to turn their back to the audience) and direct others. A big “no-no” in theatre is when one actor tries to direct another actor. The only person who should be directing is the director.
One of the highlights of camp was last week when a fight choreographer visited to teach the kiddies (and counselors!) stage combat. As a female, I haven’t had much experience in stage combat (why are all the good fight scenes between guys?), so I was very excited to learn. Unlike normal fighting, stage combat is all about safety. We learned the “DEPP” method which stands for: Distance, Eye Contact, Preparation and POW! When doing stage combat, it’s very important to have space between you and your partner. For many of the moves you don’t make physical contact with your partner at all, but from the audience it looks like they are getting hit. Eye contact is also important because it ensures that your partner is paying attention so neither of you get hurt. The preparation allows your partner to have time to react and makes the movement visible to the audience. The final step, POW, is the actual motion, whether it be a punch, kick, throw or hair grab, as well as your partner’s reaction to the motion. We learned that in many cases the reaction is even more important that the punch, kick, etc. because it helps “sell” the motion to the audience. For example, if you threw a great big punch, but your partner just stood there like they were completely unfazed by it, you would look incredibly weak and pathetic. On the other hand, if you threw the same punch and your partner fell down and cried out in pain, you would look strong and powerful. Ah, the wonders of acting!
During the stage combat workshop I got to *kick, punch, strangle, throw and pull the hair of children. It was amazing!
Tomorrow the fight choreographer is coming back to help us stage the fight scene between Gaston and Beast at the end of the play. I’m really excited to learn some more stage combat and to see how the scene turns out!
*No children were harmed in this workshop. :)
This week I started my job at a local theatre camp! It’s my second year working at the camp and I’m so happy to be back. I am one of the three senior counselors in charge of 51 kids ages 5-14. This year the campers will be putting on Willy Wonka, Jr. and Beauty and the Beast, Jr. I’m excited to be co-directing Beauty and the Beast with another senior counselor. Beauty and the Beast is my favorite Disney movie and I’ve always wanted to work on this production!
Monday was the first day of camp and we started off by having the kids do some ice-breakers to learn each other’s names. After that we taught the kids stage directions with a game of Simon Says. By the end of the day all the kids knew the differences between Stage Right, Stage Left, Center Stage, On Stage, Off Stage, Up Stage and Down Stage. Afterwards we listened to the music from each show and selected the music that they’d need to know for their auditions. Girls auditioning for Belle need to sing Something There starting at “New and a bit alarming…” The boys could choose between a section of the song Gaston or the Beast’s part in Something There. Girls auditioning for any part could sing the selection from Gaston.
On Tuesday we had the kids do some scene work. We split them into groups and had the counselors assign them different scenes to read. I was blown away by my group! They were all excellent readers and took direction very well. In the afternoon we started our audition process. We called the kids into the hallway one-by-one to sing the song of their choice. After they sang we had them do cold readings from the scripts. We didn’t get through all the auditions on Tuesday so we had to finish on Wednesday. Our choreographer taught the kids a short dance routine to Be Our Guest while the senior counselors conducted the auditions.
Auditioning and casting 51 kids was way more difficult that I ever could have imagined. The kids are immensely talented, but it is tough to figure out what parts they can handle. The cast list wasn’t sent out until around midnight on Wednesday because it took so long to finalize!
I’m really excited to start blocking the show next week! On Thursday (July 4th) we didn’t have camp, so I spent the day brainstorming how I want to block Beauty and the Beast. I’m most looking forward to blocking the Prologue. Even though I’m not a dancer, I want it to be like a ballet with very exaggerated movements. Our Enchantress is an excellent dancer and I definitely want to take advantage of that.
On Friday our camp took a trip to New York to see Matilda on Broadway and to do a workshop with one of the members of the cast. The kids learned Miracle, the opening number of Matilda, and were taught a short dance routine to go with it. Some of our kids are such great dancers! For lunch we ate at the Hard Rock Cafe and then we saw the 2:00 performance of Matilda. The show was excellent, but I think I liked the London cast slightly better.
Friday was a looooong day, but we had a great time. I’m really looking forward to start working with the kids next week so we can make such a magical show come to life!
On Sunday I hopped on a bus to New York City to see Cinderella on Broadway starring Laura Osnes as the title character. The show is nominated for 11 Tony Awards including Best Revival of a Musical, Best Performance by a Leading Actress in a Musical and Best Costume Design of a Musical.
I grew up watching the Disney cartoon, the 1997 version starring Brandy and Whitney Houston, the 1965 made-for-tv version and the non-musical movie adaptation Ever After starring Drew Barrymore. I guess you could call me a Cinderella enthusiast. Most recently, while browsing YouTube, I discovered the original 1957 version starring the incomparable Julie Andrews. Although there is nothing quite like the multicultural cast of the ’90s version, Julie Andrews stole my heart making the original my absolute favorite. As a life-long lover of fairy tales, I’ve also read several versions of the Cinderella story, some dating back to over 300 years. When I started taking voice lessons at 9-years-old, I sang “In My Own Little Corner” at my first voice recital. As you might imagine, I’ve been waiting my whole life for Cinderella to come to Broadway, so finally seeing the show was a dream come true.
I had listened to the Broadway soundtrack, which included several new songs, and had seen photos of the costumes prior to seeing the show, but for the most part I refrained from watching clips of the show on YouTube. (The one exception was watching Laura Osnes’s Princess Diary on Broadway.com!) I wanted to be prepared for the show without spoiling the magic. I will get to my critique of the music and costumes, but first let’s go over the plot.
It’s the traditional Rodgers and Hammerstein Cinderella story with some added (yet unnecessary) subplot. One of the wicked stepsisters has a non-royal love interest, who just so happens to be a revolutionary. I believe this was an attempt to give the simple fairytale some political substance, but I think it was poorly developed and just added a lot of exposition in Act I. The pint-sized, tiara-clad critic sitting behind me announced to her “Me-Maw” early on that she “didn’t like this” and wanted “to wait outside.” Ouch. I wouldn’t say the added sections were that bad, but I guess the kid just wanted to get straight to the magic. It should be noted that for as chatty as this little girl was during Act I, she was practically silent during Act II.
I could drone on and on about the changes, but I don’t want to give anything away for those of you who still want to see the show. Instead I’ll move on to the most beautiful part: the costumes.
They were spectacular and the onstage changes were magical. Thanks to some plot changes, not only did we get to see Cinderella’s rags transform into a ballgown, but we also saw her change into a banquet dress in Act II. (Yes, two dresses for the price of one!) This second gown was reminiscent to Belle’s gold dress in Beauty and the Beast. (It also didn’t help that Cinderella was lugging around a giant book the entire time she was wearing it.) But the glass slippers were TO DIE FOR so who was looking at the dress, anyway? Speaking of the glass slippers, this Cinderella was no damsel in distress. Instead of losing a shoe, she actually handed it to her Prince Charming.
When Cinderella and Prince Topher (short for Christopher) sang “Do I Love You Because You’re Wonderful?” I was moved to tears. Pure magic. As for the “new” songs, they were nice, but when stuck between the familiar tunes, they paled in comparison. The dancing was lovely — filled with spins, high-kicks and lifts.
Overall, I’d say Cinderella is “A Lovely Night” on Broadway. “Glass slippers are so back.”
Yesterday was opening night for ACT’s Picasso at the Lapin Agile and I couldn’t be more proud of the cast and the entire production staff. Hopefully this explains my hiatus from blogging — preparing for a show is a huge time commitment. I’m so glad to have been a part of this production and I’m really happy with how the costumes came out.
Even though I wasn’t able to watch the show last night (I need to stay backstage to help with a couple of quick changes) I could certainly hear it — and the audience was roaring with laughter. This show is hilarious and the cast is immensely talented.
The last time I blogged about the show I told you about my awesome finds at a vintage shop, so let me fill you in on what I’ve been up to since then. I got a few costume pieces at the Goodwill by my school, repurposed a couple of items from my own wardrobe, ordered some items online, and picked up a couple of tricky items from a costume shop in Philadelphia. Nearly every costume needed to be altered, hemmed and embellished. All the characters have hats, wigs, coats, aprons, scarves, jewelry and purses. Since the play takes place in October, it’s more realistic for the characters to need to take off their coats when they enter. I had several discussions with the director and the set designers about adding a coat rack and hat hooks to the set. I had another long discussion with the director afterwards where we discussed which hooks the actors would use to hang their coats. Only in theatre would people spend 15 minutes talking about hanging up a coat!
I am so proud of the hard work that went into the costumes and I am especially thankful for my three lovely costume assistants who helped me so much.
So without further ado — here are the costumes for Picasso at the Lapin Agile! Let me know what you think!
I had such a lovely Saturday! In addition to getting lunch with my grandmother, I spent the day running in and out of shops looking for the perfect costumes for the play Picasso at the Lapin Agile. As I’ve mentioned before, Picasso takes place in France in 1904, so finding the costumes isn’t as easy as running to the mall and buying something off the rack. Costuming a show like this feels like going on a treasure hunt — and today I struck gold!
My first stop was a cute thrift shop in Moorestown, NJ. The downstairs of the shop was filled with odds and ends — everything from pillows and books to jewelry and umbrellas. I could stay there for hours sifting through all the curious objects, but today I was on a mission and I didn’t let myself get distracted. When I walked in I headed straight to the back of the store, up the rickety staircase and into the room filled with clothes. I veered past the men’s clothing and went straight for the racks of women’s clothes. Today I was costuming my actresses.
A novice costumer might come to a thrift shop armed only with her wallet and an eye for style, but I’m no novice. I came prepared. Today I brought along my arsenal — my iPad mini displaying a spreadsheet filled with the measurements of each actor, character descriptions, and an itemized list of every item of clothing that they will need.
Next, I found a beautiful two piece outfit for Sagot. This role is normally played by a man, but in our show the director changed the role to a female. The matching skirt and top are a pretty dark purple velvet with delicate beading. Price tag? $18 for the set. Since the top has spaghetti straps I will need to pair it with some sort of jacket.
Hanging a few racks over was a gorgeous blue strapless dress. I picked up this dress a couple times before I decided to buy it. I’ll need to alter it a bit by adding some sleeves. It cost $40, a little more than I wanted to spend on something that will need alterations, but it was too pretty to pass up. The Countess had to have this dress.
Finally, I dug through some bins searching for a corset for one of my actresses. The character Suzanne changes shirts onstage and she needs to reveal her sexy bra to the audience. I bought a lacy black bra/corset. (I hope it fits! I don’t have the girls’ bra sizes.) Price tag: $2.50
When I went downstairs to pay for my treasures I received quite a shock — Everything was Half-Off!
Silk Blouse –
Skirt and Top Combo –
(No sales tax on clothes in NJ)
And how’s this for luck — today was the last day of their sale. I’m still in shock!
After I paid for the costumes and the sweet cashier gave me a handwritten receipt, I tried my luck at a local Goodwill. Nothing. I was about to call it a day when I decided to check out the Burlington Coat Factory on the way home. Jackpot! When I walked in I saw a giant display of Easter hats, which happen to look very similar to the hats worn in the early 1900s.
I bought three hats and went home to gaze at my treasures. With some feathers, ribbons and fake flowers, the hats will be perfect. I can’t wait until my next thrifting adventure!
What do you think of my loot? I’m afraid the photos just don’t do them justice.
As you may know, I’m acting in a student written play — my first acting “gig” in over a year, but what you may not know is that I’m also doing costume design for another play! I’m the head costume designer for Picasso at the Lapin Agile and I couldn’t be more excited! Picasso was written by Steve Martin (yes, that Steve Martin) and tells the story of Pablo Picasso, Albert Einstein, and a time traveling rock star *cough* Elvis *cough* who all meet in the same bar one evening. It’s odd, funny, and wordy — I can’t wait!
I absolutely love costumes and I find being a designer for a show incredibly rewarding. Last night we had our first production staff meeting for Picasso and it got me super pumped. (For those of you who aren’t familiar with theatre, a production staff meeting is where all the designers for each aspect of the show – props, costumes, set, sound, lights, etc. – meet with the directors and producers to discuss the “vision of the show” and begin the planning process). Since we are in the very early stages of the show, we were discussing the script and throwing around preliminary ideas. The play takes place in a fictitious French bar in 1904, so I’m getting to costume my first true period piece! Clothing from the early 20th century isn’t easy to find at your local consignment shop – women wore S-bend corsets and long gowns and the men wore tailored suits. It’s all very elegant. The director and I tossed around the idea of playing with color and perhaps having the costumes change from blue to red to represent Picasso’s transition out of his “blue period”. I’m interested in sticking with traditional 1900’s silhouettes, but perhaps playing with different textures and patterns that wouldn’t be found during that time. We’ll see! Thankfully, I’m not doing this alone – I have three costume assistants (who all know how to sew – I basically won the assistant jackpot!) and I will train them and take them under my wing. I pretty much learned how to costume shows on my own through trial and error, but I will teach them what I’ve learned so once I graduate there will be more experienced costume designers at TCNJ.
Last night I was up really late because I couldn’t stop looking up 20th century clothes and sketching costume ideas, but it was so much fun. I’ll keep you updated on the show!
“One should either be a work of art, or wear a work of art.”
– Oscar Wilde, Poet, Novelist, Dramatist and Critic
In the past year I’ve directed and designed costumes for various plays, but it’s been over a year since I’ve actually acted in a show. Well readers, I’m happy to announce that the hiatus is over — I’ll be returning to the stage this March!
I just found out that I was cast in a small student-written play! (I cannot describe how excited I was to see my name on the cast list – it’s been so long!) I cannot wait to start rehearsing!
All I know is that the play is a WWII-era love story. I’ll post more details after my first rehearsal.
Happy Valentine’s Day!
Good morning, lovely readers!
I know I haven’t written about my internship, so let me catch you up. I started my web internship at Parenting.com about two weeks ago and I absolutely love it there! On my first day, I met my fellow interns and they are such wonderful people. As my roommate always says, “Intern bonding is the best.” She is so right. I met one of my very best friends at my last internship and I look forward to getting to know the Parenting interns in the upcoming weeks. Besides getting to work with awesome people, I actually enjoy the work. It’s so gratifying to write a blog post and then see it live on the web by the end of the day. I then get to share the link with
my mom the entire cyber universe.
There’s a saying that goes something like this: If you love what you do, you’ll never work a day in your life.” I think I finally found what I want to do. I could definitely see myself living in an apartment in NYC and writing for the website of a magazine. Doesn’t is sound glamorous? Then, after working in New York for a couple of years, I can transfer to the U.K. office and live in London… sigh.
That being said, there is something that is missing from my life. In case the video and photo weren’t enough of a hint, I’ll tell you what it is: Theatre. I miss it terribly. I miss the adrenaline rush that I get before I walk out onto the stage. I miss the thrill that comes from making a crowd full of people laugh, or cry, or gasp. As a writer I enjoy telling stories, but there’s nothing quite like acting one out before a crowd of people. So, it looks like it’s time to audition for some shows! I’ll keep you updated. “So long, fair thee well. Pip, pip, cheerio. I’ll be back soon!”
We woke up at 6 a.m., had our last breakfast in Stratford, then lugged our heavy suitcases downstairs to load up the bus. As we drove away from Stratford we passed mile after mile of frost covered countryside in the morning light. The entire landscape was a gradient of gray – from the pale gray sky to the dark gray silhouettes of the bare trees. Even the frost on the ground was a shimmering gray. It was beautiful and I did not want to say goodbye, but before I knew it we were at the Heathrow airport, ready to catch our plane. London and Stratford will always have a place in my heart and I know it won’t be long before I return to them. Maybe someday I’ll even move to the U.K., but for now I’m on my way back to New Jersey for my final semester at The College of New Jersey. I’ve been on an incredible journey these past two weeks and I’m sure it will take some time for me to fully realize all that I’ve seen and experienced, but right now all I feel is overwhelming happiness. I’ve met some incredible people and made some wonderful new friends and I am anxiously awaiting my next journey abroad. I hope that this is only the first of my travels and perhaps someday I will become a world traveler. So, until next time, “So Long, Farewell, Aufedersein, Goodbye!”